Jenis : Arca Emas
Nama : PATUNG UKIRAN KESUBURAN (TAVU)
Era : —
Asal : Tanimbar, Maluku Tenggara Barat
Ukuran : T 44 cm, L 7 cm
Material : Emas
No. Registrasi : 1794
Koleksi :
Museum SIWALIMA
Jl. Taman Makmur, Ambon,
Maluku, Indonesia
Jenis : Arca Emas
Nama : ARCA EMAS BHAIRAWA
Material : Emas
Era : Perkiraan abad ke 13 – 14
Asal : Jawa Timur
Koleksi :
THE METROPOLITAN MUSEUM OF ART
1000 5th Avenue, New York, NY – USA
Data Museum :
Sculpture of Bhairava
Date: ca. 13th–14th century
Culture: Indonesia (East Java)
Medium: Gold
Dimensions: H. 3 1/2 in. (9 cm)
Classification: Metalwork
Credit Line:
The Samuel Eilenberg-Jonathan P. Rosen Collection of Indonesian Gold, Bequest of Samuel Eilenberg and Gift of Jonathan P. Rosen, 1998
Accession Number: 1998.544.38
This artwork is not on display
Janganlah ditangisi bila artefak sejarah kita dimiliki Kolektor dan Museum ASING, mungkin itu dijarah saat masa penjajahan atau dijual orang kita sendiri atau bahkan anak keturunan yang sedang membutuhkan uang.
“AMATI DENGAN SEKSAMA, TANGKAP AURA-NYA. DAN CIPTAKAN YANG LEBIH INDAH DARI ITU. MEREKA TIDAK AKAN PERNAH BISA MENJARAH BAKAT DAN KELUHURAN YANG DIWARISKAN LELUHUR KITA”.
Jenis : Arca Emas
Nama : PENDHARMAAN RATU
Era : Abad Ke-9, Kerajaan MATARAM KUNO
Asal : Jawa Tengah
Material : Emas
Koleksi :
BARAKAT GALLERY
421 North Rodeo Drive, Beverly Hills, CA – USA
Keterangan Gallery :
Indonesian Gold Sculpture of a Deity – CK.0165
Origin: Indonesia
Circa: 900 AD to 1300 AD
Dimensions: 7.25″ (18.4cm) high x 2″ (5.1cm) wide
Collection: Asian Art
Medium: Gold
Description:
Like much of Southeast Asia, the island of Java (today a part of the archipelago nation of Indonesia) has historically been highly influenced by Indian civilization. The religions of Hinduism and Buddhism, both originating from the subcontinent, were the vehicles through which Indian culture spread across Java and the greater archipelago region. However, due to its location near the strategic Straights of Malacca, one of the most important maritime routes in the world, Java was also exposed to many other cultural influences. As Buddhism began to spread in China, Chinese pilgrims would often stop in Java en route to the holy sites in India. Like other cultures exposed to foreign influences, the Javanese did not practice wholesale assimilation, but instead opted to pick and choose certain elements that appealed to their tastes, incorporating them into their own culture, while altogether ignoring other aspects.
Before the spread of Islam into the archipelago beginning in the 13th century and the rise of various Muslim states in the following centuries, Hinduism and Buddhism flourished in Java and beyond. Even after the majority of Java converted to Islam, certain Hindu customs and beliefs persisted among the greater population. While Hinduism and Buddhism share several similarities, the type practiced in Java was syncretic, combining certain features with native traditions. Hindu and Buddhist maritime kingdoms began to emerge on the archipelago at the end of the first millennium. Srivijaya was perhaps the most dominant. Although based in Sumatra, the Srivijaya Kingdom was allied with the Buddhist Saliendra Dynasty (the builders of Borobudur, the largest Buddhist structure in the world) who controlled Java. As the power of the Saliendras began to wane, a rival Indianized kingdom began to take over. Known as the Matarams, from their base in Central Java, this kingdom quickly rose to prominence, becoming a serious rival to Srivijaya hegemony. – (CK.0165)
Janganlah ditangisi bila artefak sejarah kita dimiliki Kolektor dan Museum ASING, mungkin itu dijarah saat masa penjajahan atau dijual orang kita sendiri atau bahkan anak keturunan yang sedang membutuhkan uang.
“AMATI DENGAN SEKSAMA, TANGKAP AURA-NYA. DAN CIPTAKAN YANG LEBIH INDAH DARI ITU. MEREKA TIDAK AKAN PERNAH BISA MENJARAH BAKAT DAN KELUHURAN YANG DIWARISKAN LELUHUR KITA”.
Jenis : Arca Emas
Nama : PENDHARMAAN RATU
Era : Abad Ke-9, Kerajaan MATARAM KUNO
Asal : Jawa Tengah
Material : Emas
Koleksi :
BARAKAT GALLERY
421 North Rodeo Drive, Beverly Hills, CA – USA
Keterangan Gallery :
Indonesian Gold Sculpture of a Deity – CK.0159
Origin: Indonesia
Circa: 900 AD to 1300 AD
Dimensions: 4.125″ (10.5cm) high x 2″ (5.1cm) wide
Collection: Asian Art
Medium: Gold
Description:
Like much of Southeast Asia, the island of Java (today a part of the archipelago nation of Indonesia) has historically been highly influenced by Indian civilization. The religions of Hinduism and Buddhism, both originating from the subcontinent, were the vehicles through which Indian culture spread across Java and the greater archipelago region. However, due to its location near the strategic Straights of Malacca, one of the most important maritime routes in the world, Java was also exposed to many other cultural influences. As Buddhism began to spread in China, Chinese pilgrims would often stop in Java en route to the holy sites in India. Like other cultures exposed to foreign influences, the Javanese did not practice wholesale assimilation, but instead opted to pick and choose certain elements that appealed to their tastes, incorporating them into their own culture, while altogether ignoring other aspects.
Before the spread of Islam into the archipelago beginning in the 13th century and the rise of various Muslim states in the following centuries, Hinduism and Buddhism flourished in Java and beyond. Even after the majority of Java converted to Islam, certain Hindu customs and beliefs persisted among the greater population. While Hinduism and Buddhism share several similarities, the type practiced in Java was syncretic, combining certain features with native traditions. Hindu and Buddhist maritime kingdoms began to emerge on the archipelago at the end of the first millennium. Srivijaya was perhaps the most dominant. Although based in Sumatra, the Srivijaya Kingdom was allied with the Buddhist Saliendra Dynasty (the builders of Borobudur, the largest Buddhist structure in the world) who controlled Java. As the power of the Saliendras began to wane, a rival Indianized kingdom began to take over. Known as the Matarams, from their base in Central Java, this kingdom quickly rose to prominence, becoming a serious rival to Srivijaya hegemony. – (CK.0159)
Janganlah ditangisi bila artefak sejarah kita dimiliki Kolektor dan Museum ASING, mungkin itu dijarah saat masa penjajahan atau dijual orang kita sendiri atau bahkan anak keturunan yang sedang membutuhkan uang.
“AMATI DENGAN SEKSAMA, TANGKAP AURA-NYA. DAN CIPTAKAN YANG LEBIH INDAH DARI ITU. MEREKA TIDAK AKAN PERNAH BISA MENJARAH BAKAT DAN KELUHURAN YANG DIWARISKAN LELUHUR KITA”.
Jenis : Arca Emas
Nama : BETHARI DURGA
Era : Abad Ke-8
Asal : Jawa Tengah
Koleksi :
Museum di Eropa ????? dan dalam proses lelang dengan data : Lot 290, rare gold figure of Durga, Indonesia, Central Java, 8th/9th Century, 3 1/4 inches high
Some of the other Solley properties in the auction are much more diminutive but no less stunning. Lot 290, for example, is a rare gold figure of Durga that is only 3 1/4 inches high. The very finely cast statue from Central Java in Indonesia, circa 8th/9th Century, is standing on a buffalo holding a dagger and backed by a delicate ovoid nimbus. The lot has a modest estimate of $10,000 to $15,000. It sold for $26,400.
Janganlah ditangisi bila artefak sejarah kita dimiliki Kolektor dan Museum ASING, mungkin itu dijarah saat masa penjajahan atau dijual orang kita sendiri atau bahkan anak keturunan yang sedang membutuhkan uang.
“AMATI DENGAN SEKSAMA, TANGKAP AURA-NYA. DAN CIPTAKAN YANG LEBIH INDAH DARI ITU. MEREKA TIDAK AKAN PERNAH BISA MENJARAH BAKAT DAN KELUHURAN YANG DIWARISKAN LELUHUR KITA”.
Jenis : Arca Emas
Nama : PENDHARMAAN RAJA
Material : Emas
Era : Perkiraan abad ke 9, Kerajaan Mataram Kuno
Asal : Jawa Tengah
Koleksi :
BARAKAT GALLERY
421 North Rodeo Drive, Beverly Hills, CA – USA
Keterangan Gallery :
Indonesian Gold Sculpture of a Deity – CK.0160
Origin: Indonesia
Circa: 900 AD to 1300 AD
Dimensions: 4″ (10.2cm) high x 2.25″ (5.7cm) wide
Collection: Asian Art
Medium: Gold
Location: United States
Like much of Southeast Asia, the island of Java (today a part of the archipelago nation of Indonesia) has historically been highly influenced by Indian civilization. The religions of Hinduism and Buddhism, both originating from the subcontinent, were the vehicles through which Indian culture spread across Java and the greater archipelago region. However, due to its location near the strategic Straights of Malacca, one of the most important maritime routes in the world, Java was also exposed to many other cultural influences. As Buddhism began to spread in China, Chinese pilgrims would often stop in Java en route to the holy sites in India. Like other cultures exposed to foreign influences, the Javanese did not practice wholesale assimilation, but instead opted to pick and choose certain elements that appealed to their tastes, incorporating them into their own culture, while altogether ignoring other aspects.
Before the spread of Islam into the archipelago beginning in the 13th century and the rise of various Muslim states in the following centuries, Hinduism and Buddhism flourished in Java and beyond. Even after the majority of Java converted to Islam, certain Hindu customs and beliefs persisted among the greater population. While Hinduism and Buddhism share several similarities, the type practiced in Java was syncretic, combining certain features with native traditions. Hindu and Buddhist maritime kingdoms began to emerge on the archipelago at the end of the first millennium. Srivijaya was perhaps the most dominant. Although based in Sumatra, the Srivijaya Kingdom was allied with the Buddhist Saliendra Dynasty (the builders of Borobudur, the largest Buddhist structure in the world) who controlled Java. As the power of the Saliendras began to wane, a rival Indianized kingdom began to take over. Known as the Matarams, from their base in Central Java, this kingdom quickly rose to prominence, becoming a serious rival to Srivijaya hegemony. – (CK.0160)
Janganlah ditangisi bila artefak sejarah kita dimiliki Kolektor dan Museum ASING, mungkin itu dijarah saat masa penjajahan atau dijual orang kita sendiri atau bahkan anak keturunan yang sedang membutuhkan uang.
“AMATI DENGAN SEKSAMA, TANGKAP AURA-NYA. DAN CIPTAKAN YANG LEBIH INDAH DARI ITU. MEREKA TIDAK AKAN PERNAH BISA MENJARAH BAKAT DAN KELUHURAN YANG DIWARISKAN LELUHUR KITA”.
Jenis : Arca Emas
Nama : DEWA SYIWA
Material : Emas
Era : Diperkirakan abad ke 9 – abad 13
Asal : Jawa Timur, Kerajaan Singhasari
Koleksi :
BARAKAT GALLERY
421 North Rodeo Drive, Beverly Hills, CA – USA
Keterangan Gallery :
Indonesian Gold Sculpture of Shiva – CK.0158
Origin: Indonesia
Circa: 900 AD to 1300 AD
Dimensions: 8.75″ (22.2cm) high x 2.5″ (6.4cm) wide
Collection: Asian Art
Medium: Gold
Location: United States
Like much of Southeast Asia, the island of Java (today a part of the archipelago nation of Indonesia) has historically been highly influenced by Indian civilization. The religions of Hinduism and Buddhism, both originating from the subcontinent, were the vehicles through which Indian culture spread across Java and the greater archipelago region. However, due to its location near the strategic Straights of Malacca, one of the most important maritime routes in the world, Java was also exposed to many other cultural influences. As Buddhism began to spread in China, Chinese pilgrims would often stop in Java en route to the holy sites in India. Like other cultures exposed to foreign influences, the Javanese did not practice wholesale assimilation, but instead opted to pick and choose certain elements that appealed to their tastes, incorporating them into their own culture, while altogether ignoring other aspects.
Before the spread of Islam into the archipelago beginning in the 13th century and the rise of various Muslim states in the following centuries, Hinduism and Buddhism flourished in Java and beyond. Even after the majority of Java converted to Islam, certain Hindu customs and beliefs persisted among the greater population. While Hinduism and Buddhism share several similarities, the type practiced in Java was syncretic, combining certain features with native traditions. Hindu and Buddhist maritime kingdoms began to emerge on the archipelago at the end of the first millennium.
Janganlah ditangisi bila artefak sejarah kita dimiliki Kolektor dan Museum ASING, mungkin itu dijarah saat masa penjajahan atau dijual orang kita sendiri atau bahkan anak keturunan yang sedang membutuhkan uang.
“AMATI DENGAN SEKSAMA, TANGKAP AURA-NYA. DAN CIPTAKAN YANG LEBIH INDAH DARI ITU. MEREKA TIDAK AKAN PERNAH BISA MENJARAH BAKAT DAN KELUHURAN YANG DIWARISKAN LELUHUR KITA”.
Jenis : Arca Emas berlapik Perunggu
Nama : BUDHA GAUTAMA SAKYAMUNI
Material : Emas, Perunggu dan Batu Mulia
Era : Diperkirakan abad ke 11 – abad 14
Asal : Jawa Timur
Koleksi :
BARAKAT GALLERY
421 North Rodeo Drive, Beverly Hills, CA – USA
Keterangan Gallery :
Indonesian Gold Sculpture of Buddha with a Bronze Base – CK.0110
Origin: Indonesia
Circa: 11 th Century AD to 14 th Century AD
Dimensions: 13.25″ (33.7cm) high x 5.25″ (13.3cm) wide
Collection: Asian Art
Medium: Gold, Bronze, Ruby
Location: United States
Like much of Southeast Asia, the island of Java (today a part of the archipelago nation of Indonesia) has historically been highly influenced by Indian civilization. The religions of Hinduism and Buddhism, both originating from the subcontinent, were the vehicles through which Indian culture spread across Java and the greater archipelago region. However, due to its location near the strategic Straights of Malacca, one of the most important maritime routes in the world, Java was also exposed to many other cultural influences. As Buddhism began to spread in China, Chinese pilgrims would often stop in Java en route to the holy sites in India. Like other cultures exposed to foreign influences, the Javanese did not practice wholesale assimilation, but instead opted to pick and choose certain elements that appealed to their tastes, incorporating them into their own culture, while altogether ignoring other aspects.
Before the spread of Islam into the archipelago beginning in the 13th century and the rise of various Muslim states in the following centuries, Hinduism and Buddhism flourished in Java and beyond. Even after the majority of Java converted to Islam, certain Hindu customs and beliefs persisted among the greater population. While Hinduism and Buddhism share several similarities, the type practiced in Java was syncretic, combining certain features with native traditions. Hindu and Buddhist maritime kingdoms began to emerge on the archipelago at the end of the first millennium. Srivijaya was perhaps the most dominant. Although based in Sumatra, the Srivijaya Kingdom was allied with the Buddhist Saliendra Dynasty (the builders of Borobudur, the largest Buddhist structure in the world) who controlled Java. As the power of the Saliendras began to wane, a rival Indianized kingdom began to take over. Known as the Matarams, from their base in Central Java, this kingdom quickly rose to prominence, becoming a serious rival to Srivijaya hegemony.
The historical figure, Buddha Gautama Sakyamuni is the Buddha of compassion who, having achieved the highest evolutionary perfection, turns suffering into happiness for all living beings. Born around 560 B.C. somewhere between the hills of south Nepal and the Rapti river, his father was a Raja who ruled over the northeastern province of India, the district including the holy Ganges River. The young prince was married to Yashoda when he was about 17 years old and together they had a son named Rahula. At the age of 29, he left his life of luxury, as he felt compelled to purify his body and make it an instrument of the mind by ridding himself of earthly impulses and temptations. – (CK.0110)
Janganlah ditangisi bila artefak sejarah kita dimiliki Kolektor dan Museum ASING, mungkin itu dijarah saat masa penjajahan atau dijual orang kita sendiri atau bahkan anak keturunan yang sedang membutuhkan uang.
“AMATI DENGAN SEKSAMA, TANGKAP AURA-NYA. DAN CIPTAKAN YANG LEBIH INDAH DARI ITU. MEREKA TIDAK AKAN PERNAH BISA MENJARAH BAKAT DAN KELUHURAN YANG DIWARISKAN LELUHUR KITA”.
Jenis : Arca Emas
Nama : HAPSARI
Era : Perkiraan abad ke-14, Kerajaan Majapahit
Asal : Jawa Timur
Material : Emas
Saya tidak memperoleh data yang jelas atas “Arca Emas HAPSARI era MAJAPAHIT” ini, ada yang bilang sudah berhasil dipulangkan ke Indonesia di Museum Nasional Jakarta. Tapi ada juga rekan yang bilang pernah melihat arca ini ada di museum Berlin atau Amsterdam. Semoga ada konfirmasi dari rekan2 di Museum Nasional atas keberadaannya.
Jenis : Arca Emas
Nama : SUTASOMA
Era : Perkiraan abad ke-14, Kerajaan Majapahit
Asal : Jawa Timur
Material : Emas
Koleksi :
TROPENMUSEUM
Linnaeusstraat 2, 1092 CK Amsterdam
Janganlah ditangisi bila artefak sejarah kita dimiliki Kolektor dan Museum ASING, mungkin itu dijarah saat masa penjajahan atau dijual orang kita sendiri atau bahkan anak keturunan yang sedang membutuhkan uang.
“AMATI DENGAN SEKSAMA, TANGKAP AURA-NYA. DAN CIPTAKAN YANG LEBIH INDAH DARI ITU. MEREKA TIDAK AKAN PERNAH BISA MENJARAH BAKAT DAN KELUHURAN YANG DIWARISKAN LELUHUR KITA”.
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